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Dye sublimation printing – the basics

What is dye sublimation printing?

dye sublimation t-shirt bear
Dye sublimation printing is a relatively new form of technology that uses specially-formulated inks, transfer paper, a printer and heat press to create eye-catching and vibrant prints on polyester based fabrics. One of the main advantages of using dye sublimation is that during the process, the special ink fuses directly to the fabric fibres creating a permanent image that is bold, colour fast and washable.

 
It’s something that we’ve used at CWC for some time to create intricate patterns and colour-matched fabrics for mascot clothing but its uses don’t stop there. Almost all polyester fabrics can be dye-sublimated, making it a fantastic choice for printing flags, banners, table cloths, canvas prints, cushions and clothing for example.

The process of dye sublimation printing requires 3 key elements to be successful. These are heat, time and pressure. The combination of all 3 turns the inks from a solid to a gaseous state, which then penetrate the fabric fibres whilst under pressure. This creates a permanent bond between the ink and the fabric. Temperatures must be more than 180 (approx.) degrees centigrade (356 degrees Fahrenheit) to successfully transfer and bond the ink to the polyester fabric.

Natural vs polyester

A question we often get asked is ‘Does your fabric have to be polyester for dye sublimation printing to work?’ In short, the answer is yes. Natural fibres such as cotton do not hold the correct characteristics to be successfully sublimated and will cause a dull and washed out print if attempted. Poly cotton blends of around 60% polyester 40% Cotton can be used successfully but the higher the polyester content of the fabric, the more vivid the final transfer will be. This is due to the construction of the polyester fibres or polymer cells within these fibres to be precise. Heating causes these cells to open, capturing the gaseous inks within their structure. As they cool they close again, effectively sealing the colour directly into the fibre. The more polymer cells, the more colour can be trapped in the material and the brighter the final image.

The printing process

roland texart sublimation printerPrinting – Once you have finalised your design, it will need to be uploaded into the dedicated software on your computer to be processed. RIP software (stands for Raster Image Processing) is effectively an advanced printer driver designed to get optimal results from your machine. From within you can edit the image, resize and format it to the desired profile for your printer. The RIP software stores all the colour profiles required to faithfully recreate the original design. Once your design is ready to print, it is sent by the RIP software to the dedicated printer and is printed out onto special transfer paper. Dye-Sublimation printers can come in a range of sizes. Ours at CWC HQ is just over 1.5m wide, making it useful for a whole range of sublimation tasks.

Pressing – Once you’ve printed your design, you’re ready to press your image into the fabric using one of several different heat presses: Small format, calendar, flatbed and 3D vacuum. As we deal mainly in the sublimation of inks into the fabric, we have both a small format and a calendar heat press. A 3D vacuum heat press is useful for mugs and mobile phone cases but is not something we would use very often

All heat transfer presses fundamentally work in the same way; set the temperature, prepare the material and press the image onto the material with heat and pressure for a set time. This creates a permanent, clear and vibrant image has now been added to your material. A calendar press works like this but facilitates longer print lengths by moving the fabric through heated rollers.

Variable factors

klieverik calendar pressThe dye sublimation printing process sounds relatively simple, right? In theory at least but in practice, there are several variable factors that can affect the final results. The right heat, time, pressure and humidity are all concerns when striving for the perfect print. Some fabrics sublimate better at higher temperatures, and some at lower. Some fabrics flatten under high pressure, some require more pressure for the ink to embed itself. As you can see it’s a fine balance between all these factors to ensure your print comes out looking its best.

It’s nice to pick a topic that gives us the opportunity to tell you about the processes involved with making a costume. As you can see with dye sublimation printing, not only is it a fundamental part of our costume business, it also opens a whole world of opportunities to expand our offering and give the same care and attention to another branch of our business. If you want to learn more about the sublimation services we offer then mosey on over to our printing page or contact us on this form.

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Marathons and mascots: a guide to running in costume

Marathon Running

Participating in a marathon for many of us, is a superhuman feat. Over 26 miles of relentless running and jogging, or in many cases, walking and limping to complete a course designed to challenge even the hardiest of runners. Dedication, hard work and determination are required to complete the course, not to mention the mental strength to push beyond the ‘wall’ and keep those legs pounding the pavement to success.

For the most part, marathon runners can be categorised into three groups: The super-fit people that do it for kicks, jostling for position on the PB (personal best) leader board of their local running club or on the latest fitness App. There are those looking to better themselves physically, using the marathon as a goal to work up to, giving their training a purpose with a goal to achieve and then there are those selfless individuals who do it to raise money and awareness for charities across the country (and the world), raising millions of pounds each year for many a good cause. Regardless of what group you fit into, the notion of increasing the challenge to include the additional layers that a costume can add seems crazy and yet there is no better way to get noticed out on the course. With the Greater Manchester and London marathons just around the corner, we thought we’d explore some of the considerations behind wearing a costume on race day.

Firstly, you will be running for a long time. Most mascot manufacturers will tell you that stopwatchthe maximum recommended time to wear a typical mascot costume without a break is approximately 30-45 minutes or shorter for more energetic performances. This helps prevent dehydration, overheating and general discomfort to the performer. Additional considerations to the character design should be made when running a long distance to ensure the safety of the competitor inside the costume. A costume suitable for running should adhere to the following points:

  • Lightweight
  • Well ventilated
  • Comfortable
  • Flexible and well fitted (Skin characters)
  • End above the Knee (Inanimate characters)

Running in a costume that does not address these simple points can be uncomfortable and ultimately unsafe; risking dehydration, fatigue and an endless amount of chafing for the person unlucky enough to wear it. The average time for completing a marathon (elites aside) is around the 4-hour mark so you can see why the well-being of the runner is paramount in all decisions regarding the manufacture of the costume.
Ambrosia PotFrom a makers’ perspective, there are a few additional considerations that can be made to assist in the comfort and safety of the runner. Amendments to a costume design to include additional vent holes throughout the character head, or open spacing where there would normally be a gauze layer (such as the mouth) all help to increase air circulation around the runner. We’ve even changed designs so that the head of the runner is visible if that is their preference.

Character feet are usually oversized and generally difficult to run long distances in. Spat style shoe covers in the style of your character can be made to go over running trainers, allowing you to compete without the concern of stumbling over or tripping up other competitors amongst other podiatric concerns.

Meryl lycra (or CoolMax) material can be used in place of heavy, warmer matPercy Pigerials like fleece or foam to keep the runner cool. Meryl lycra has moisture wicking properties and draws sweat away from the body to the outside of the material where it disperses into the air. This type of fabric is typically found in sportswear so is perfect for active costumes and a great choice for those running a marathon.

So now you’ve got a costume that fits correctly, is well ventilated and lightweight, what next? It would take someone very special to just go out there and run a marathon without any prior preparation, especially in a costume, so let’s have a look at the build-up to race day and what you should do to get yourself ready for the big event.

Pre-race training

marathon mile 20You should start your training well in advance of the event and build up towards running a longer distance each month. It’s not recommended that you run a full 26 miles in your training. There’s something quite unique about running with like-minded people in an exciting atmosphere that can’t be replicated in training and you’ll find the miles fly by at the event. Running 26.2 miles is difficult for your body to recover from and can have a negative effect on your training efforts so keep this for race day. Ensure that you run shorter distances regularly and you’ll see much more benefit.

Training to run as a costumed character will require some additional efforts to guarantee you have a safe race and the aim is to be prepared and to manage the expectations of what you can achieve in costume. No one is expecting you to smash your PB but they are expecting you to have fun and make it round the course in one piece. Here’s some advice to help you prepare for the challenge ahead.

Firstly, knowing a little about your character is essential. Turning up on the day to find out the costume is too big or too heavy is going to scupper your chances of completing the course. If you are planning to use your own costume then buy it as soon as you can. If it is a costume for a charity or company then speak to them and try to get access to the costume early. Sometimes this may not be possible due to prior engagements and if this is the case, get some details that will help you prepare. Size, weight and material are all important questions in your quest for preparedness and answers you should be able to get relatively easily. If you can get access to the costume then put it on and take it out for a short run to ensure that it feels comfortable and secure. Wearing it before the event will allow you to iron out any issues before it’s too late, such as ventilation and how hot it will get. Once you have an idea of how the costume feels to run in and have addressed any issues, you can then put it to one side until the actual event so as not to cause any damage or unnecessary wear and tear.

backpackNow you have an idea of how it feels to run as your character, you can start to adjust your training routine accordingly. Running with a backpack and gradually working up to the equivalent weight of your costume is a great way to prepare your body for the additional layers, allowing you to feel the difference that a few extra kilograms can add without the need to wear the costume and risk damaging it. This gives your body chance to adjust to the added strain and will make race day a much more pleasant experience. Remember not to push too hard and that completing a marathon in training is counterproductive to the end goal.

Another great tip is to train in warmer clothing. Most costumes will add layers and layers equal additional heat. Training in a thick jumper for example will allow your body to become accustomed to the raised temperature that you would expect to feel inside a costumed character. Fluids will vanish rapidly with the additional heat so get used to drinking plenty of water. A camel pack will ensure you have access to fluids throughout the race. This is especially important if your costume covers your face and makes it difficult to drink from a bottle or cup.

Race day

Hopefully by this point you’ve been training hard and are now as prepared as you can be for the gruelling run ahead. You’re on the start line and ready to set off down the course, dressed to the nine’s in a local charity’s cat costume and you’re raring to get the race underway. With most the hard work over, all you have to do now is complete the course and you’ll be a local hero. However, completing the course is easier said than done, especially wearing a mascot costume. Sure enough, the crowds and atmosphere will pull you along for some of the way but there are a few key pointers that will help get you to the finish line.

Ambrosia Man MarathonFirstly, start nearer to the back of the pack than you would do out of costume. At the back is where the slower competitors start but it’s also where a lot of the atmosphere is created. Serious runners will block out the crowds and strive to finish in as fast a time as possible. Your aim shouldn’t be that when dressed up. It should be about creating awareness for your chosen charity or brand, participating with the crowds and other competitors to give them a ‘show’ on the way round. Pace yourself correctly and you will achieve a respectable time but if your aim is to beat your PB then perhaps running in a costume isn’t for you.

Being dressed as a character is an open invitation for people to tell you what they think. Be it good or bad, expect comments from people throughout the event and try not to take the negative ones to heart. It takes a certain kind of someone to don a Costume and run 26 miles so much of what you will hear and see should build on an already amazing experience for you and those around you.

As mentioned in the pre-race section, your costume will become hot and you are likely to lose fluids faster than the average ‘naked’ runner. Drinking fluids regularly is paramount to staying safe throughout your run and is worth pointing out again. Short sips rather than big gulps should help to regulate your hydration more effectively and the simple rule is to only drink when you feel thirsty. That way you avoid the issues of both dehydration and over-hydration by listening to your body, which brings us nicely to our next point…

Percy Pig MarathonPlay it safe. If you start to feel unwell, or in pain then stop or take a break. There’s nothing more important than your health and if this is being challenged then there is no shame in pulling out. After all, if Paula Radcliffe can stop 22 miles into an Olympic event with an injury, then don’t feel bad about pulling up short of your target if you need to.

Lastly and most importantly, Enjoy yourself. When you’re out in the middle of the field and you’re getting some well-deserved cheers and applause from the spectators and other runners, that’s the time to really take it all in and seize the day. You’re doing something that not everyone can do so be proud. Take in the atmosphere and you’ll soon find that the miles fly by as you get caught up in the fun. You’re also part of the entertainment and it’s thanks to costumed characters like you that the event is enjoyable for other people to watch.

One more point for race day that I chose to mention last because it’s very important is that Vaseline (or equivalent lube) will become your best friend. Make sure you bring some with you to alleviate the pain of chafe. Not everyone suffers from it but there is no doubt that the addition of a costume increases the likelihood of this phenomenon occurring so plan-ahead and reduce the rub….

Post race

stamford marathonNow is the time to bask in the glory of your success. You’ve made it to the finish line and hopefully you’ve had a great time getting there. There’s no doubt that you’ll be feeling the strain of the course but the goal you have achieved is something to be very proud of. Take time to rest, take on fluids if you need them and make sure that you warm down thoroughly.

After you’ve had chance to recover, now comes the time to sort out your costume. If the costume is your own, follow the washing instructions and make sure you dry it thoroughly in a well-ventilated area. Spread the costume out so that it has chance to air and you’ll reduce the smell that damp can create for future uses. Charities and companies may not expect you to wash the costume as some will send it in for a professional wash and clean after each event, but to keep the costume in good shape make sure it is dry before packing it up again. We’ve seen (and smelt) the effects that damp can cause on a costume and it’s not very nice, especially if it’s you that has to put it on next.

Here at CWC we have plenty of experience in creating characters with running as a consideration and can help with designing the perfect costume for you or your organisation. We also offer a full professional character refurbishment service, so if your character crosses the line and comes back a bit whiffy, you know where to send it for a bit of TLC.

Hopefully this has given you some useful tips for the next or first time you decide to run in a costume. Be it marathon, 10K, 5K or Park Run, entering a character into the event is a fantastic way to raise awareness and become a sure-fire hit with the spectators. If you don’t take yourself too seriously, you will have one of the most entertaining races and who knows, you might even get the bug.

If you’d like advice, or would like to talk to us about creating a costume for your run, we’re only too happy to help.

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Fur, sweat and tears: what it really takes to be a mascot

The mascot school

I recently re-discovered a video that I had watched a number of months ago about mascot culture in Japan. It focusses on a wonderful lady called Choko Oohira and her mascot school in Tokyo, where she teaches people from all walks of life on the fundamentals of performing as a mascot, and the rules you need to follow in order to maintain the true identity of the character you are portraying.

The energy and enthusiasm of the students and the passion Choko Oohira has for her job really is inspiring and a tad contagious… This short video really got me thinking; what does it ACTUALLY take to become a mascot? I mean anyone can physically put on a furry costume and ‘horse’ around, but what about those who consider it a profession, or those who are interested in becoming a successful mascot in the future? What do they do to stand out from the crowd (apart from wear a giant furry costume) and make it a performance to remember? It’s a lot more involved than you think…

 

Japanese mascot culture

As the capital of the Costume Character, we’ll start our journey in Japan (also because it fits in nicely with the introduction to this blog) where mascots play an important part in advertising the local culture… and practically anything else that could possibly have a mascot…ever.

There are various styles of mascot character in Japan and one of the most popular and more recent style of costume is Yuru-Chara. Yuru-Chara mascots are created to promote local areas of interest, cities, regions, businesses or events. They are characterised by a combination of cuteness, unrefined designs and accessories or features depicting local produce, culture or landmarks. Yuru-Chara mascots are big business in Japan (a $16billion industry and growing) and many of them have their own merchandise, anime series and are known globally like the ever popular Kumamon, who was created by the Kumamoto Prefecture (region/district) to draw tourists to the area. Yuru-Chara costumes have their own specific rules to adhere by. These are:

  1. It must convey a strong message of love for one’s hometown or local region
  2. The character’s movements or behaviour should be unique and unstable or awkward
  3. The character should be unsophisticated or laid-back (yurui) and lovable

These 3 simple rules define how these characters are made and how they perform in public. In order to become a Yuru-Chara character mascot, you must be able to abide by these rules and perform within the boundaries of these statements. It takes a lot of determination and creativity to be energetically awkward, lovable and unique in your movements but that can be the make or break of a good performance. Although specific to Yuru-Chara, these rules start to form the basis of what it takes to be a good mascot; entertaining, individual and passionate for the cause.

Mascots across the globe

So let’s leave Japan and talk more generally about mascots across the globe. Playing the part of a Costumed Character is hard, hot and tiring work but ultimately very rewarding if it is done right. Being the centre of attention, all eyes are on your character and it is important to protect the identity of the brand you are portraying. A code of conduct should keep you in line with the core values and beliefs of a brand character, but even without one, a little bit of common sense will keep your character within the ethical boundaries and context of an event. For example, a mascot could act differently at a corporate meet and greet to how it would act a children’s party (although we’re all just big kids really!) and should tailor its performance to suit the audience. Being astute, having the ability to assess a situation and adapt are important factors of a successful performance.

Interaction with an audience also demands a lot of respect from the performer, knowing when to push and when to back off can be a little tricky to read in a big furry costume with limited visibility but this consideration should always be in the back of the performers mind. Playing a joke is only funny when everyone is laughing. Some people can feel self-conscious when being ‘laughed at’ and as a mascot, you need to be aware of this so you can quickly deflect a situation or focus on something/someone else to avoid embarrassing or hurting anyone’s feelings.

A lot of mascot wearers are volunteers, helping out a local cause by turning up and entertaining the crowd. It’s a well-known fact that having a costumed character turn up to a charity event actually increases the amount of donations given by the public but it takes a very special type of person to give up a day of their time to stand in a hot and heavy costume for a good cause. This leads me to my final trait of what it actually takes to be a mascot and in my opinion it’s up there at the top of the list. That important trait is that of a big heart. I personally have nothing but respect for the people that volunteer time to help out local causes with nothing but the satisfaction that they are doing their bit for the cause and with no other payment than a thank you for a job well done….

What it REALLY takes

So, just to re-cap, here’s what I believe it takes to be a good mascot:

  • Be entertaining
  • Be individual
  • Be passionate
  • Be astute
  • Be adaptable
  • Be respectful
  • Have a big heart.

Now a lot of you will notice that I have purposefully avoided talking about the usual physical traits that you see in every other article about how to ‘wear’ a mascot and how to ‘act like a mascot’ etc etc. I can send you a checklist if that’s what you want to know and if you follow it, you’ll learn the basic moves and become a competent mascot wearer. This article isn’t about that. It’s about the type of person and the mental attitude that it takes to become a successful costumed character and ultimately create successful character performances. I believe that the physical side of wearing a costume character can be learnt by just about anyone. Exaggerating your movements, keeping quiet, warming up are all things that can be taught at places like Choko Oohira’s mascot school in Tokyo, but what sets People like Choko Oohira and many other mascot wearers apart is the infectious mental attitude, passion and enthusiasm that spills out of their performance.

A big thank you!

We at Costumes with Character would like to say thanks to you the performer, the beating heart of our industry and the reason why mascots are more popular today than they have ever been. It’s because of your hard work that we’re still in business 30 years on….

If you feel inclined, please have a look through our gallery of costumes and remember that behind every amazing mascot is an equally amazing wearer.

You can visit our costume gallery here.

Video credit to Great Big Story.

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World Cup Willie: fifty years of fun on the field

Mascots have been an important part of sporting events for what seems like forever. An integral tool in the marketing of an event, a mascot personifies traditions and highlights positive attributes for a host nation at a World Cup for example, or local team, giving public identity to a community and bringing an element of fun into the proceedings.

These costumed characters also facilitate the creation of merchandise, enabling manufacturers of memorabilia to focus on a character when creating a plethora of products to sell on or around the event in question.

Bringing good luck

It’s true, mascots have been around for a very long time (not literally forever but not far off) and the term derives from 1880’s France. Initially, a mascot (or mascotte as it was known across the pond) was anything that was deemed to bring luck into your house or on board your ship and was usually an inanimate object. It could have been a locket of hair, a key or anything that the person felt would increase their luck with its presence. It wasn’t until the early 1900’s that ‘good luck’ animals became a regular fixture at sporting events across the globe.

The first animal mascots were escorted to local events in order to entertain the crowd and in some cases, to strike fear into the hearts of the opposition. These weren’t the cuddly characters you see today; tGeorge Tirebiterhese were the real deal. Lions, tigers, bears, dogs, pigs, horses and birds of prey were all used by sporting clubs and instantly became a popular feature with the audience, who would cackle and hoot at the escapades of the animal and its trainer as they were paraded around the stadium. There was however something missing. That something was a unique identity and a charismatic personality. OK, now I can already hear you all saying (and I agree) that animals do have personalities, but have you ever seen a cat, bear or any other animal react to the cheers of a crowd and respond by ramping up the excitement? The only reaction I have seen is that of shock and running away when my cat is confronted with any loud noise….

Willie is a winner

WillieSo fast forward to the 1960’s and to one of, if not the FIRST costumed character at a MAJOR sporting event; World Cup Willie. Designed by Reg Hoye (who illustrated some of Enid Blyton’s books) for the 1966 World Cup, Willie was the personification of the proud British spirit. The stocky little Lion, sporting a full Union Jack football kit and boots could be seen everywhere during the competition, invoking national pride into the people of England and cheering the lads on from the sidelines. A full range of merchandise was created to compliment the character and the notion of modern day sporting memorabilia was defined. Nowadays, memorabilia has grown to become one of the most important sources of income for a club or competition. The significance of World Cup Willie did not go unnoticed by other countries, who started to realise the potential of such a character and soon even West Germany and the Soviet Union were joining in with the fun. 1966 was the first and last year that England won the World Cup. Whether or not Willie had anything to do with it I’ll let you decide….

Mascots march on

It’s been 50 years, almost to the day since people flooded through the turnstiles to watch the first game of the competition and mascots have had a place at almost every major sporting event since. Every top flight football game, baseball game, athletics event, social gathering you name it, has some form of mascot character evoking the spirit of competition and ultimately maximising the revenue streams before, during and long after the celebration has died down. By this time, corporate businesses had already begun to embrace the idea and were designing characters to personify their core business ideals. This proved to be just as successful off the pitch and recognisable characters feature prominently in our day-to-day lives, sometimes even without you noticing them. Some great examples of company mascots that you are sure to know are Geoffrey the Giraffe (Toys R US) who has been around since the 60’s, Ronald MacDonald (arguably the most well-known character of all time), Tony the Tiger, Mickey Mouse and the Michelin Tyre Man to name a few but I digress…

Modern day magic

From their humble beginnings to the mascot of modern day, the complexity of sporting mascots has increased with the advancement of technology, allowing mascots to be more lifelike, or even more outrageous than was previously thought possible. Take for example London 2Wenlock and Mandeville012’s very own Wenlock and Mandeville. Gone are the humanoid shapes that were once the staple mascot style, only to be exchanged with weird and wonderful body types as you see in the 2012 Olympic and Paralympic mascots. Although ultimately criticized for their wacky shapes, Wenlock and Mandeville were a large reason for the success of the London Olympics and brought in millions of pounds of revenue with their merchandise, only being surpassed by the sale of the GB team kit. One disadvantage of this body style is maneuverability and top flight sporting clubs prefer to stick to a humanoid body shape so that their characters can race around the pitch, egging on or poking fun at the crowd, coaches and players alike.

Fred and his Friends

Now, we know a thing or two about creating the perfect mascot. Be it for your club, event, corporation or whatever reason you decide, we work closely with some of the country’s biggest sporting clubs to provide them with the ultimate side-line entertainers. Take for example, Fred the Red – the official Manchester United mascot. I pick this example (without any club bias) because it fits in nicely with our article. Due to the success of World Cup Willie, Reg Hoye was asked to draw the original Manchester United Red Devil mascot, which can still be seen on the badge today. A far cry from the current Fred the Red character seen gracing the pitch at match days, United saw the importance of having a brand identity and became the Red Devils to coincide with their badge re-design. 1994 saw the first live version of Fred appear and he instantly became a firm favourite with the fans at Old Trafford and is just as popular today. We’ve been making Fred the Red for over 10 years and he joins the likes of Moonchester (Manchester City), Rover (Blackburn Rovers), Stamford (Chelsea), Deepdale (Preston NE) and many others in our Costumes with Character Sporting Hall of Fame.Football mascots

All for a good cause

I think it’s also worth mentioning that sports mascots aren’t just for the entertainment of the crowd or for lining the pockets of their local club/governing body, they are also a great tool in raising money and awareness for local and national charities. Clubs up and down the country lend their mascots to good causes because they know the effect that these characters can have on the final fundraising total, with studies claiming a mascot can increase the total amount of money donated to a charity when out and about with a bucket. One thing can be sure, the introduction of Willie and mascots in general at major sporting events across the world has been a positive thing and even in this digital age of computer illustrations and virtual characters, the physical performer still very much has its place at the sporting table and will continue to do so for many years to come.

You can view our range of sporting mascots here

 

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Six degrees of Welephant

I think it’s fair to say that a large portion of the UK population has heard of Welephant. When someone recently mentioned it to me, I couldn’t help but smile and drift off on a wave of nostalgia about the first time he came to my school.

6 Degrees of Separation

 

The lesson was fire safety and more importantly, how to use a fire alarm correctly. The impact of this big red elephant in his shiny yellow fire helmet was a sure fire reason why my house was safely guarded from combustible hazards and that my smoke alarm battery was regularly tested (much to the annoyance of my parents). Still in use today, Welephant is now the mascot ambassador for The Children’s Burn Trust and an iconic figure in the history of the costume character.

Welephant Shopping WEB

Welephant came to life in 1978 when the Greater Manchester Fire Service ran a children’s competition to design a character to teach young people about fire safety. A 14-year-old girl entered the competition with a big red elephant sporting a yellow helmet, black boots and a fire axe. The name she gave him was Welephant. As a clear winner, the GM Fire Service adopted Welephant and children across the North West began to learn of his existence. The big friendly elephant proved to be a successful acquisition for the GM Fire service who founded The Welephant Club for children in 1984. Being inundated with club applications, other fire departments across the country heard of its success and began to adopt the red elephant for use in their own district. Welephant went nationwide!

1st Welephant

 

By 1986, the first Welephant mascots were being manufactured right here in Manchester by Liz Milnes, founder of Situation Clothing (now Costumes with Character) and were deployed across the country for fire departments to use, promoting fire safety within schools and at family events throughout the eighties, nineties and early noughties. Costumes with Character still produce Welephant mascots to this day, albeit with a few minor adjustments to bring him trumpeting into the 21st century but he is still the same cuddly and conscientious elephant he has always been.

 

So where do the six degrees of separation come in? We’ve all heard the theory that everyone is connected to everything by six steps or less (3.5 steps if you’re a Facebook user) and Welephant is no different. Whether it was on a school visit, or at a local event, someone you know will have a story or have at least had an encounter with Welephant over the last few decades. Here at Costumes with Character, most of us have a story to tell that dates back to childhood, or to when our children were young.

 

Take for example Welephant and AlisonAlison Dermott. Alison was just a young girl when she first encountered Welephant during a firework safety campaign. Being a talented individual even at that age, Alison shone brighter than the other children and won a colouring competition, resulting in some fantastic prizes and the opportunity for a photo with the iconic elephant. It didn’t stop there, Alison’s mum even wore the costume throughout the nineties in the school that she worked for, using it to teach local children the principles of fire safety. Little did Alison know that when she joined the team at Costumes with Character, Welephant would once again charge into her life.

 

Now I’m almost sure you’re sat reading this article with a smile on your face. Not because of my witty wordsmanship or carefully crafted sentences, but because you are remembering your first encounter with the popular figurehead of fire safety. Be it at school, at a summer fete or even in front of a supermarket, Welephant has popped up everywhere and has helped spread the message that fire can be dangerous to children across the country for over 30 years. Here at Costumes with Character, we are proud to have made this mascot since its inception and will hopefully do so for many years to come.