The mascot school
I recently re-discovered a video that I had watched a number of months ago about mascot culture in Japan. It focusses on a wonderful lady called Choko Oohira and her mascot school in Tokyo, where she teaches people from all walks of life on the fundamentals of performing as a mascot, and the rules you need to follow in order to maintain the true identity of the character you are portraying.
The energy and enthusiasm of the students and the passion Choko Oohira has for her job really is inspiring and a tad contagious… This short video really got me thinking; what does it ACTUALLY take to become a mascot? I mean anyone can physically put on a furry costume and ‘horse’ around, but what about those who consider it a profession, or those who are interested in becoming a successful mascot in the future? What do they do to stand out from the crowd (apart from wear a giant furry costume) and make it a performance to remember? It’s a lot more involved than you think…
Japanese mascot culture
As the capital of the Costume Character, we’ll start our journey in Japan (also because it fits in nicely with the introduction to this blog) where mascots play an important part in advertising the local culture… and practically anything else that could possibly have a mascot…ever.
There are various styles of mascot character in Japan and one of the most popular and more recent style of costume is Yuru-Chara. Yuru-Chara mascots are created to promote local areas of interest, cities, regions, businesses or events. They are characterised by a combination of cuteness, unrefined designs and accessories or features depicting local produce, culture or landmarks. Yuru-Chara mascots are big business in Japan (a $16billion industry and growing) and many of them have their own merchandise, anime series and are known globally like the ever popular Kumamon, who was created by the Kumamoto Prefecture (region/district) to draw tourists to the area. Yuru-Chara costumes have their own specific rules to adhere by. These are:
- It must convey a strong message of love for one’s hometown or local region
- The character’s movements or behaviour should be unique and unstable or awkward
- The character should be unsophisticated or laid-back (yurui) and lovable
These 3 simple rules define how these characters are made and how they perform in public. In order to become a Yuru-Chara character mascot, you must be able to abide by these rules and perform within the boundaries of these statements. It takes a lot of determination and creativity to be energetically awkward, lovable and unique in your movements but that can be the make or break of a good performance. Although specific to Yuru-Chara, these rules start to form the basis of what it takes to be a good mascot; entertaining, individual and passionate for the cause.
Mascots across the globe
So let’s leave Japan and talk more generally about mascots across the globe. Playing the part of a Costumed Character is hard, hot and tiring work but ultimately very rewarding if it is done right. Being the centre of attention, all eyes are on your character and it is important to protect the identity of the brand you are portraying. A code of conduct should keep you in line with the core values and beliefs of a brand character, but even without one, a little bit of common sense will keep your character within the ethical boundaries and context of an event. For example, a mascot could act differently at a corporate meet and greet to how it would act a children’s party (although we’re all just big kids really!) and should tailor its performance to suit the audience. Being astute, having the ability to assess a situation and adapt are important factors of a successful performance.
Interaction with an audience also demands a lot of respect from the performer, knowing when to push and when to back off can be a little tricky to read in a big furry costume with limited visibility but this consideration should always be in the back of the performers mind. Playing a joke is only funny when everyone is laughing. Some people can feel self-conscious when being ‘laughed at’ and as a mascot, you need to be aware of this so you can quickly deflect a situation or focus on something/someone else to avoid embarrassing or hurting anyone’s feelings.
A lot of mascot wearers are volunteers, helping out a local cause by turning up and entertaining the crowd. It’s a well-known fact that having a costumed character turn up to a charity event actually increases the amount of donations given by the public but it takes a very special type of person to give up a day of their time to stand in a hot and heavy costume for a good cause. This leads me to my final trait of what it actually takes to be a mascot and in my opinion it’s up there at the top of the list. That important trait is that of a big heart. I personally have nothing but respect for the people that volunteer time to help out local causes with nothing but the satisfaction that they are doing their bit for the cause and with no other payment than a thank you for a job well done….
What it REALLY takes
So, just to re-cap, here’s what I believe it takes to be a good mascot:
- Be entertaining
- Be individual
- Be passionate
- Be astute
- Be adaptable
- Be respectful
- Have a big heart.
Now a lot of you will notice that I have purposefully avoided talking about the usual physical traits that you see in every other article about how to ‘wear’ a mascot and how to ‘act like a mascot’ etc etc. I can send you a checklist if that’s what you want to know and if you follow it, you’ll learn the basic moves and become a competent mascot wearer. This article isn’t about that. It’s about the type of person and the mental attitude that it takes to become a successful costumed character and ultimately create successful character performances. I believe that the physical side of wearing a costume character can be learnt by just about anyone. Exaggerating your movements, keeping quiet, warming up are all things that can be taught at places like Choko Oohira’s mascot school in Tokyo, but what sets People like Choko Oohira and many other mascot wearers apart is the infectious mental attitude, passion and enthusiasm that spills out of their performance.
A big thank you!
We at Costumes with Character would like to say thanks to you the performer, the beating heart of our industry and the reason why mascots are more popular today than they have ever been. It’s because of your hard work that we’re still in business 30 years on….
If you feel inclined, please have a look through our gallery of costumes and remember that behind every amazing mascot is an equally amazing wearer.
You can visit our costume gallery here.
Video credit to Great Big Story.
hese were the real deal. Lions, tigers, bears, dogs, pigs, horses and birds of prey were all used by sporting clubs and instantly became a popular feature with the audience, who would cackle and hoot at the escapades of the animal and its trainer as they were paraded around the stadium. There was however something missing. That something was a unique identity and a charismatic personality. OK, now I can already hear you all saying (and I agree) that animals do have personalities, but have you ever seen a cat, bear or any other animal react to the cheers of a crowd and respond by ramping up the excitement? The only reaction I have seen is that of shock and running away when my cat is confronted with any loud noise….
So fast forward to the 1960’s and to one of, if not the FIRST costumed character at a MAJOR sporting event; World Cup Willie. Designed by Reg Hoye (who illustrated some of Enid Blyton’s books) for the 1966 World Cup, Willie was the personification of the proud British spirit. The stocky little Lion, sporting a full Union Jack football kit and boots could be seen everywhere during the competition, invoking national pride into the people of England and cheering the lads on from the sidelines. A full range of merchandise was created to compliment the character and the notion of modern day sporting memorabilia was defined. Nowadays, memorabilia has grown to become one of the most important sources of income for a club or competition. The significance of World Cup Willie did not go unnoticed by other countries, who started to realise the potential of such a character and soon even West Germany and the Soviet Union were joining in with the fun. 1966 was the first and last year that England won the World Cup. Whether or not Willie had anything to do with it I’ll let you decide….
012’s very own Wenlock and Mandeville. Gone are the humanoid shapes that were once the staple mascot style, only to be exchanged with weird and wonderful body types as you see in the 2012 Olympic and Paralympic mascots. Although ultimately criticized for their wacky shapes, Wenlock and Mandeville were a large reason for the success of the London Olympics and brought in millions of pounds of revenue with their merchandise, only being surpassed by the sale of the GB team kit. One disadvantage of this body style is maneuverability and top flight sporting clubs prefer to stick to a humanoid body shape so that their characters can race around the pitch, egging on or poking fun at the crowd, coaches and players alike.
One of the examples briefly mentioned in the article is Snap Crackle and Pop from the popular cereal brand Kelloggs. The names of these characters represent the appealing sound made by Rice Krispies whilst the appearance of the cheeky little elves, with their bold, contrasting colours appeals more to children, giving the cereal a persona and physical appearance they can relate to. A real testament to great character design, Snap, Crackle and Pop have been with us since the early 1930’s, obviously with slight adjustments to keep them fresh and current throughout the decades.
One way to give your mascot a personality, is through the art of expression, and I don’t mean freeform dance (although a dance routine for your costumed character isn’t a bad idea), what I actually mean is the expression on your furry friend’s face. Designers for high profile mascot campaigns spend countless hours, if not days experimenting with various eye and mouth positions to make sure that they are getting the right message across and ensuring their Mascot fits the characteristics of the company. For example, a Halloween based character may have more of a scowl than a smile but it’s all about context.
Of course, not all mascots have facial features as some can be inanimate objects, or the traditional teddy bear type. In this instance, think more about how your character moves, what they should and shouldn’t do, what they are wearing and how your character interacts with its audience. For example, a football club mascot may be mischievous and active on the pitch, whereas a mascot for a respected high end shop would want to portray itself with a little more decorum…for the most part… The main thing is to make your mascot interesting. It doesn’t necessarily need to be liked (as it could be portraying a villainous character) as long as it does what you set out for it to do.
Customising your characters appearance to include physical accessories or clothing emblazoned with a company logo for example is a great way to get your message shown to the masses. Not only to the immediate audience, but to people right across the world via the medium of the internet. Over 1 Trillion (1,000,000,000,000 to put it in numbers) photos and videos are taken annually and the vast majority of these find their way on to the internet. Mascots make great talking points and photos of your character are almost certain to end up on the World Wide Web.


Alison Dermott. Alison was just a young girl when she first encountered Welephant during a firework safety campaign. Being a talented individual even at that age, Alison shone brighter than the other children and won a colouring competition, resulting in some fantastic prizes and the opportunity for a photo with the iconic elephant. It didn’t stop there, Alison’s mum even wore the costume throughout the nineties in the school that she worked for, using it to teach local children the principles of fire safety. Little did Alison know that when she joined the team at Costumes with Character, Welephant would once again charge into her life.
“I wanted to take this opportunity to thank you for your ongoing service.
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Each character we have ordered has been of incredible quality and detail and have been well received by everyone who sees them. All of the staff are incredibly helpful and a delight to work with and no doubt we will be using them as often as we can again in the future.”
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